Crashing of the airship LZ 129 Hindenburg on the 6th of May 1937 in Lakehurst, New Jersey (USA). Herbert Morrison’s radio report about the catastrophe is one of the oldest documents of radio history. Foto credit: Sam Shere
This is what my talk will be about:
„The antagonism between the technological development towards perfectly clean digital radio sound and the common idea of radio as a noisy analogue medium is crucial for contemporary radio research. From a literary and media studies perspective this antagonism can be scrutinized very well in the extensive corpus of over 40 radio plays by the German radio artist Andreas Ammer. Especially three of his works, which he created together with the German noise musician FM Einheit, are examined thoroughly within my PhD project. These plays are “Apocalypse Live” (1994), “Deutsche Krieger I – III” (1995/1997) and “Crashing Aeroplanes” (2001). All three of them broach the issue of “the noises of radio art in the digital age” by the means of catastrophic plots.
I had the great pleasure and honour to give a three-day workshop on „Voice & Radio“ at the class of the radio artist Eran Schaerf at the ZHdK this semester. Once again it was a terrific exerience to work with artists and art students.
The guided tour through the two clouds – symbolizing Infosphere and Exo-Evolution – which Peter Weibel, manager of the ZKM and media artist, gave to me in advance for Deutschlandradio Kultur can be found here.
The title of my lecture, which will be in German as the whole workshop, is „The BBC World Service: International Radio – Made in the UK“. It is based on some findings of my Seminar „Special Sound“ about the BBC and the inspiring debates I had with my students in class. One of the results of this BBC seminar is our „Hitchhiker´s Guide to the BBC Radio Galaxy“, in which one of course also finds some information in English on the BBC World Service. In my lecture I will focus much more on the different attempts of delivering the identity concept of „Britishness“ via one of the oldest, largest and most famous radio stations to the world.
Update, 05-08-2015: The programme has been published now. Anyone interested is welcome to join, please just do register in advance.
After I had the great opportunity and pleasure to present my PhD-project at the Radio Research Confernce in September 2013 in London it is of course also a very special pleasure to see the article printed now in English in a book, together with the articles of over 20 other radio researchers from all over the world. My very special thanks goes to Guy Starkey, Grazyna Stachyra and Madalena Oliveira for the great job they did in editing this wonderful book. Although Mauro José Sá Rego Costa was allowed to translate the article into Portugese and publish it in advance in the online-journal of the State University of Rio de Janero the English version only can be accessed via the book due to the copyright of the publishers to protect their investment in preparing the book for print.
Nevertheless it´s certainly fine to tell the title of my article and to publish the abstract here:
A big thanks also goes to all the others who helped and inspired my work along the way and openend my eyes for so many incredible creatures in and aspects of this universe. These selenites of The Great Moon Hoax from 1835 (see pic the right) are only one example.
Their amazing research projects probably bore me out the most that humankind is once again changing its sense of self and that we have to think and talk about it. Therefore I also portrayed Conditio extraterrestris additionally in a seperate article and broadcast.
We will be reading theoretical texts e.g. by Immanuel Kant, Nikola Tesla, Hans Blumenberg, Umberto Eco, Kodwo Eshun, Hans-Jörg Rheinberger, Joseph Vogl, novels by Stanislaw Lem and H.G. Wells, listen to Orson Welles‘ radio drama „The War of the Worlds“ (1938) and watch movies like „Alien“ by Ridley Scott, „2001: a space odyssey“ (1968) by Stanley Kubrick, „Solaris“ (1972) by Andrei Tarkowski, and „Contact“ (1997) by Robert Zemeckis. Of course this will be for me as a radio researcher one of the highlights:
Yesterday evening the „Radio as Art“ conference in Bremen (Germany) was opend with a wonderful keynote lecture of Hank Bull, one of the first artists who considered themselfes explicitly as radio artists. The title of the lecture performance: „The Reception of Electricity.“
Hank Bull making a live radio show.
Hank Bull in actiona, back then and now.
Marcel Duchamp, the radio artist.
Hank Bull explaining how van Gogh invented the light bulb.
It was a live radio show at its best that Hank Bull gave to the audience at the Guest House of the Universität Bremen and the listeners of the four webradios that are connected with the live-stream of Mobile Radio (documentation @ SoundCloud). In combination with recalling the history of the legendary „HP Show“ (1976 to 1984) Hank Bull gave a wonderful overview of the history of electricity starting in the 18th century and tracing it up to our presence. In doing so he showed how philosophers like Marx and Nietzsche missed the revolutionary dimension of electricity, that „killed God“ and gave birth to new „Gods“ through the human imagination like Frankenstein’s monster, Nosferatu and the alien voice.