Before I left the drama department of Bayern2 Radio for working at the University of Basel and starting my PhD, I had the great pleasure to interview Okwui Enwezor, who had just become the director of Haus der Kunst in Munich. Tonight the interview from 2011 with interesting insights on growing up in Nigeria, being a young black man in the New York art scene in the 1980s and many more will be broadcast again. You can listen to the pocast here. (All dubbed in German)
Okwui Enwezor, director of Haus der Kunst in Munich, Germany. Foto: Andreas Gebert
The philosophical radio magazine „Sein und Streit“ asked me to visit for them the hut of Martin Heidegger in Todtnauberg, a climatic spa approximately 60 minutes by car from Basel in the Black Forest. Of course I knew about this famous hut, which Heidegger acquired in the early 1920s and where he concentrated on developing his fundamental ontology.
Heidegger’s hut above Todtnauberg and the famous well with the star-die on top. (August 2016)
Today Bazon Brock turns 80. Being an unique mixture of an artist and an polymath, Bazon Brock studied with Theordor W. Adorno, helped to bring Fluxus to Germany in the 1960th and was a close collaborator of Joseph Beuys and Wolf Vostell. Brock is emeritus Professor of Aesthetics and Cultural Education at the Bergische Universität in Wuppertal, Germany. He developed the method of “Action Teaching”, in which the seminar hall becomes a place for staging oneself and others. From 1968 until 1992 he launched the documenta-schools for visitors. As „Bazon“ is the Greek word for a talkative person, Bazon Brock developed talking and the mediation of art to an art form, always driven by on the one hand his fury against Hitlerism, which he suffered severely of as a child, being a refugee at the end of the Second World War from the east, and on the other hand by his euphoria to be alive.
Crashing of the airship LZ 129 Hindenburg on the 6th of May 1937 in Lakehurst, New Jersey (USA). Herbert Morrison’s radio report about the catastrophe is one of the oldest documents of radio history. Foto credit: Sam Shere
This is what my talk will be about:
„The antagonism between the technological development towards perfectly clean digital radio sound and the common idea of radio as a noisy analogue medium is crucial for contemporary radio research. From a literary and media studies perspective this antagonism can be scrutinized very well in the extensive corpus of over 40 radio plays by the German radio artist Andreas Ammer. Especially three of his works, which he created together with the German noise musician FM Einheit, are examined thoroughly within my PhD project. These plays are “Apocalypse Live” (1994), “Deutsche Krieger I – III” (1995/1997) and “Crashing Aeroplanes” (2001). All three of them broach the issue of “the noises of radio art in the digital age” by the means of catastrophic plots.
I had the great pleasure and honour to give a three-day workshop on „Voice & Radio“ at the class of the radio artist Eran Schaerf at the ZHdK this semester. Once again it was a terrific exerience to work with artists and art students.
The guided tour through the two clouds – symbolizing Infosphere and Exo-Evolution – which Peter Weibel, manager of the ZKM and media artist, gave to me in advance for Deutschlandradio Kultur can be found here.
The title of my lecture, which will be in German as the whole workshop, is „The BBC World Service: International Radio – Made in the UK“. It is based on some findings of my Seminar „Special Sound“ about the BBC and the inspiring debates I had with my students in class. One of the results of this BBC seminar is our „Hitchhiker´s Guide to the BBC Radio Galaxy“, in which one of course also finds some information in English on the BBC World Service. In my lecture I will focus much more on the different attempts of delivering the identity concept of „Britishness“ via one of the oldest, largest and most famous radio stations to the world.
Update, 05-08-2015: The programme has been published now. Anyone interested is welcome to join, please just do register in advance.
After I had the great opportunity and pleasure to present my PhD-project at the Radio Research Confernce in September 2013 in London it is of course also a very special pleasure to see the article printed now in English in a book, together with the articles of over 20 other radio researchers from all over the world. My very special thanks goes to Guy Starkey, Grazyna Stachyra and Madalena Oliveira for the great job they did in editing this wonderful book. Although Mauro José Sá Rego Costa was allowed to translate the article into Portugese and publish it in advance in the online-journal of the State University of Rio de Janero the English version only can be accessed via the book due to the copyright of the publishers to protect their investment in preparing the book for print.
Nevertheless it´s certainly fine to tell the title of my article and to publish the abstract here: