Today Bazon Brock turns 80. Being an unique mixture of an artist and an polymath, Bazon Brock studied with Theordor W. Adorno, helped to bring Fluxus to Germany in the 1960th and was a close collaborator of Joseph Beuys and Wolf Vostell. Brock is emeritus Professor of Aesthetics and Cultural Education at the Bergische Universität in Wuppertal, Germany. He developed the method of “Action Teaching”, in which the seminar hall becomes a place for staging oneself and others. From 1968 until 1992 he launched the documenta-schools for visitors. As „Bazon“ is the Greek word for a talkative person, Bazon Brock developed talking and the mediation of art to an art form, always driven by on the one hand his fury against Hitlerism, which he suffered severely of as a child, being a refugee at the end of the Second World War from the east, and on the other hand by his euphoria to be alive.
On Tuesday, the 17th of May I will present the current state of my dissertation project at the Research Colloquium of the English Seminar at University of Basel. I am very much looking forward to this event.
This is what my talk will be about:
„The antagonism between the technological development towards perfectly clean digital radio sound and the common idea of radio as a noisy analogue medium is crucial for contemporary radio research. From a literary and media studies perspective this antagonism can be scrutinized very well in the extensive corpus of over 40 radio plays by the German radio artist Andreas Ammer. Especially three of his works, which he created together with the German noise musician FM Einheit, are examined thoroughly within my PhD project. These plays are “Apocalypse Live” (1994), “Deutsche Krieger I – III” (1995/1997) and “Crashing Aeroplanes” (2001). All three of them broach the issue of “the noises of radio art in the digital age” by the means of catastrophic plots.
On Sunday night, the 3rd of April at 10.05 pm my one-hour long radio feature „Wir und sie und alle die wir kennen. Die kalifornische Konzeptkünstlerin Miranda July im Portrait“ will be boradcast in German at Zündfunk Generator on Bayern2 (afterwards available as podcast). Based on my November 2015 interview with Miranda July and my interview with the scholar Antje Czudaj, who wrote a book on July’s intermedial art, I am analyzing her work in a wider context. In this portrait I am looking at Miranda July’s background in 1990s Riot Grrlism in Portland, Oregon and at her own art work alike: I will talk about her short stories and her debut novel, her films and her media art pieces. Especially I will focus on the interactive and webbased project „Learning to Love You More“ (together with Harrell Fletscher, 2002 – 2009) and her latest intermedial art work „Somebody“, a combination of an app and a wonderful short film, which the fashion label Miu Miu of Prada helped her to realize.Thus I strive to unravel her artistic concept and claim that Miranda July should be regarded as one of the most interesting artistic voices of the current generation.
The Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe has opened again after several months of restoration. Within the next 300 days the festival GLOBALE will take place in the former ordnance factory: Many different exhibitions and symposia around the two main topics Infosphere and Exo-Evolution are in the making.
The guided tour through the two clouds – symbolizing Infosphere and Exo-Evolution – which Peter Weibel, manager of the ZKM and media artist, gave to me in advance for Deutschlandradio Kultur can be found here.
Thursday, the 18h of June I will give a lecture on the legendary BBC World Service in the context of a workshop at the University of Basel. The workshop will be on international radio stations in the 20th century and is part of the national research project „Broadcasting Swissness“.
The title of my lecture, which will be in German as the whole workshop, is „The BBC World Service: International Radio – Made in the UK“. It is based on some findings of my Seminar „Special Sound“ about the BBC and the inspiring debates I had with my students in class. One of the results of this BBC seminar is our „Hitchhiker´s Guide to the BBC Radio Galaxy“, in which one of course also finds some information in English on the BBC World Service. In my lecture I will focus much more on the different attempts of delivering the identity concept of „Britishness“ via one of the oldest, largest and most famous radio stations to the world.
Update, 05-08-2015: The programme has been published now. Anyone interested is welcome to join, please just do register in advance.
It is a great pleasure for me to announce that my first scientific article on radio art in English has appeared. After passing the double-blind peer review process of the ECREA Radio Research Section it just has been published in the book „Radio: The Resilient Medium. Papers from the third conference of the ECREA Radio Research Section„, edited by Madalena Oliveira, Grazyna Stachyra and Guy Starkey.
After I had the great opportunity and pleasure to present my PhD-project at the Radio Research Confernce in September 2013 in London it is of course also a very special pleasure to see the article printed now in English in a book, together with the articles of over 20 other radio researchers from all over the world. My very special thanks goes to Guy Starkey, Grazyna Stachyra and Madalena Oliveira for the great job they did in editing this wonderful book. Although Mauro José Sá Rego Costa was allowed to translate the article into Portugese and publish it in advance in the online-journal of the State University of Rio de Janero the English version only can be accessed via the book due to the copyright of the publishers to protect their investment in preparing the book for print.
Nevertheless it´s certainly fine to tell the title of my article and to publish the abstract here:
On Monday, the 2nd of Febuary 2015 at 17:45 I will give a lecture in German on the concept of „absolute radio art“ in Cologne.
Its title is
1925 – 1969 – 2015:
Wiederholungen & Differenzen in der Debatte um absolute Radiokunst
This lecture is part of the 7. Dokoranden-Ringvorlesung and takes place from 17:45 to 19:15 at the Hörsaal A2 in the Hörsaalgebäude of the University of Cologne, Universitätsstraße 33, 50931 Köln.
Everyone who is interested is cordially invited to join.
Today the result of intensive research in the last weeks and months goes on air and online: My 28 minutes long radio feature „Von Aliens, UFOs und Erdlingen – Zur Kulturgeschichte der Außerirdischen“ will be broadcasted by the Swiss public radio station SRF 2 Kultur, afterwards being available as a podcast.
This production was only possible thanks to wonderful reasearchers like film scholar Simon Spiegel, astrophysicist Ben Moore, literature scholars Robert Stockhammer, Hania Siebenpfeiffer and Philipp Theisohn, ethnologist Alice Spinnler and numerous aliens. They are all featured in the show.
A big thanks also goes to all the others who helped and inspired my work along the way and openend my eyes for so many incredible creatures in and aspects of this universe. These selenites of The Great Moon Hoax from 1835 (see pic the right) are only one example.
A very special thanks goes to Philipp Theisohn and his team at the Swiss national research project „Conditio extraterrestris. The Inhabitated Galaxy as the Space of Literary Imagination and Communication (1600 – 2000)“ at the German Department of the University of Zurich.
Their amazing research projects probably bore me out the most that humankind is once again changing its sense of self and that we have to think and talk about it. Therefore I also portrayed Conditio extraterrestris additionally in a seperate article and broadcast.
Saturday this week (22nd of November) my seminar „They are amongst us. Towards an intergalactic and interdisciplinary cultural history of aliens“ starts at the department for art research and media philosophy of the art academy HfG Karlsruhe. With art students from different disciplines I will try to find out how and why the unimaginable is imagined the way it is and how, why and when the imagination has changed in history and how all of that depended on the evolution of media.
We will be reading theoretical texts e.g. by Immanuel Kant, Nikola Tesla, Hans Blumenberg, Umberto Eco, Kodwo Eshun, Hans-Jörg Rheinberger, Joseph Vogl, novels by Stanislaw Lem and H.G. Wells, listen to Orson Welles‘ radio drama „The War of the Worlds“ (1938) and watch movies like „Alien“ by Ridley Scott, „2001: a space odyssey“ (1968) by Stanley Kubrick, „Solaris“ (1972) by Andrei Tarkowski, and „Contact“ (1997) by Robert Zemeckis. Of course this will be for me as a radio researcher one of the highlights: