Karlsruher Postulate für echte Gleichstellung der Geschlechter im Kulturbetrieb

Es war mir eine grosse Freude im Rahmen des Thementages „Frauen im Ausschnitt – Wie weiblich ist der Kulturbetrieb?“ auf den ARD Hörspieltagen 2019 im ZKM Karlsruhe an der Entwicklung der „Karlsruher Postulate“ mitzuwirken. Gemeinsam mit den TeilnehmerInnen* der Workshops und den RedakteurInnen* der WDR-Hörspielabteilung haben die Referentinnen Sabine Hark, Lamya Kaddor, Stefanie Lohaus, Luise F. Pusch, Hilde Weeg und ich unsere Forderungen und Verpflichtungserklärungen entwickelt. Nun sind die Karlsruher Postulate ganz offiziell veröffentlicht. Mögen sie ihren Weg finden – und nicht nur zu einem geschlechtergerechteren Kulturbetrieb beitragen.

Bechdel-Test for German Radio Play

On Nov. 9th at the ARD Hörspieltage in Karlsruhe (GER) I gave a lecture on the Bechdel Test with a special focus on radio plays and about the limitations of the Bechdel test . My presentation was the start of a special theme day looking at the situation of women in cultural institutions two years after the kick-off of the #MeToo movement. After the presentation I participated in a panel discussion with Sabine Hark, Lamya Kaddor, Stefanie Lohaus, Luise F. Pusch und Hilde Weeg. This discussion led to three workshops, which resulted in the „Karlsruher Postulate“ – our demands and commitments how to bring real gender equality along – eventually. For documentation of the special theme day in German see here.

To Hear the Gras Grow – A Climate Activism Podcast

When I designed my podcasting course „Gras wachsen hören“ (or „To Hear the Grass Grow“) at the department of Media Ecology at the University of Potsdam in Germany, I had actually planned to teach my students about John Cage and musical collaborations between humans and fungi, and then go on to do some tricky recordings with them. However, Fridays for Future and the thousands of students striking worldwide each week to stop climate change did not make my students all that interested in aesthetic research, as I had to learn.

Fridays for Future Demonstration on July 19, 2019, in Berlin, Germany. Photo: © maxiwittek.de

Deeply impressed by Greta Thunberg and her committed, inspiring fight for immediate changes in climate policy, the end of fossil fuels, and the reduction of net greenhouse gas emissions to zero by 2035, the participants in my course preferred to make something more concrete. So we decided to produce a climate-activism podcast. This decision coincided with Thunberg’s visit to Berlin and her support of the local Fridays for Future demonstration on Friday, July 19.

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Researching Podcasting in the US

My PhD project focuses on the transition from analogue to digital radio and how works of acoustic art relate to it. Thus, the development of the US-American podcast scene is of special interest for me, as it takes a leading role in the field. The term podcast was first coined in 2004 as a portmanteau of “iPod” and “broadcast” and referred originally to digitally produced and distributed audio programs on the internet, which were published periodically and could be subscribed to via RSS feed. As podcasting is still a rather new media phenomenon and the academic field of podcast studies is just about to emerge, I applied for the 2018 U.S. Embassy SANAS Travel Award to do field research. Altogether my journey lasted 14 days and covered ten interviews in five cities.   

Due to its relevance for US-American radio history and the development of the podcast-scene, I started my research in Chicago. Thanks to the city’s geographic location, the first Chicago radio stations in the 1920s were listened to from the East coast to the Rockies and beyond. Needless to say, that Chicago emerged early on as a broadcasting center and a central switching point for transcontinental network lines, attracting various creative media people. One of them was the legendary radio host Louis “Studs” Terkel (1912 – 2008).

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The Road to Brexit – A Students‘ Podcast

The White Cliffs of Dover (Image: Makiko Itoh/Flickr | CC BY-NC-SA 2.0)

Just in time for Brexit’s second anniversary, Prof. Ina Habermann at the University of Basel and students of her research seminar published their podcast The Road to Brexit on the historical and cultural preconditions and motifs why so many Britons voted to leave the EU on June 23, 2016. Trained as a professional radio journalist who writes her PhD at the English department in Basel, it was a great pleasure and challenge to help them bring their project alive. Together with Prof. Habermann I edited the texts of the students, I taught them how to speak on the radio and took care of recording, editing and publication of the project. In eleven contributions the students looked for example at Winston Churchill’s war rhetoric as well as at the myth of Dunkirk or the movie T2 Trainspotting and a European perspective at Great Britain.

You can read an article about the project and its background on the website of the university in German or in English. Further information about the project, the production and the contents you can find here. And last but not least you can listen to the podcast here.

I highly recommend to take some time for this podcast. Listening to these 69 minutes of an enlightening fusion of cultural studies research and radio journalism is in my opinion definitely worthwhile. Congratulations to Prof. Habermann and her students, well done! It’s been a blast to work with you.

Russian Avant-Garde on the Radio

It’s my great pleasure to announce the return or the Russian avant-garde, at least on air and online – unfortunately only in German, though: Today, Friday April 20 my feature “Die Medienkunst der russischen Avantgarde” will be broadcast. Therefore I had the great pleasure to talk to some terrific researchers and experts on Russian art, media and cultural history: Siegfried Zielinski, Berlin based media-archaeologist and theoretician, Sylvia Sasse, professor for Slavic literary studies at the University of Zurich, the historian and musicologist Boris Belge (Basel) and the Chlebnikov expert Andrea Hacker (Bern).

Some of the Russian Kubo-Futurists, around 1912

The reason for this radio show is the broadcasting of Andreas Ammer’s and FM Einheit’s terrific interpretation of Arseny Avraamov’s „Symphony of Sirens“, the loudest composition in music history, which was staged October 2017 in Brno, Czech Republic. Last Friday a recording of this unique performance has been broadcast by the radio drama department of Bayerischer Rundfunk (BR), which is still available on its website in different mixes: A binaural mix for headphones, a 5.1 mix and a documentary film of the performance in Brno.

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Symphony of Sirens: 1922 / 1923 / 2017

Of all the arts, music possesses the greatest power for social organization. – Arseny Avraamov          

 

When over 100 years ago women workers in Petrograd facotries laid down their work, because they didn’t have money to buy bread for their families anymore, they finally brought about the break-through of the the Russian Revolution. It was still the beginning of the 20th century, nobody knew how devastating it would get, and so hopes were still high that a new man and a new woman would be born through the revolution. According to the Russian avant-gardists one of the most important means to accomplish this aim was sound, respectively acoustic experiments, mainly – noise.

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Okwui Enwezor on „Aesthetics & Postcolonialism“

Before I left the drama department of Bayern2 Radio for working at the University of Basel and starting my PhD, I had the great pleasure to interview Okwui Enwezor, who had just become the director of Haus der Kunst in Munich. Tonight the interview from 2011 with interesting insights on growing up in Nigeria, being a young black man in the New York art scene in the 1980s and many more will be broadcast again. You can listen to the pocast here. (All dubbed in German)

Okwui Enwezor, director of Haus der Kunst in Munich, Germany. Foto: Andreas Gebert

Okwui Enwezor, director of Haus der Kunst in Munich, Germany. Foto: Andreas Gebert

The Answer

Eifelturm_Peace_Zeichen

By Jean Jullien

Three days after the terror attacks in Paris, four days after the massacer which the suicide bombers caused in Beirut, in the middle of the biggest refugee track through Europe since World War II, during an evil war in Syria and daily terror in Israel, Iraq and so many other places since decades: I still feel speechless and deeply sad. On the contrary to so many politicians and demagogues and their immediate response to the terror attacks. All over the planet they seem to know the answers right away and cannot wait to spread their verbal build-up of arms via any channel of communication. But their hatred and racism, their cry for war and revenge is no answer. It never was and it never will be.

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Tribunal & Clouds: GLOBALE @ ZKM

The  Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe has opened again after several months of restoration. Within the next 300 days the festival GLOBALE will take place in the former ordnance factory: Many different exhibitions and symposia around the two main topics Infosphere and Exo-Evolution are in the making.

Real Cloud of Exo-Evolution by Transsolar - Foto: Harald Völkl, © ZKM | Zentrum für Kunst und Medientechnologie

Real Cloud of Exo-Evolution by Transsolar – Foto: Harald Völkl, © ZKM | Zentrum für Kunst und Medientechnologie

The guided tour through the two clouds – symbolizing Infosphere and Exo-Evolution – which Peter Weibel, manager of the ZKM and media artist, gave to me in advance for Deutschlandradio Kultur can be found here.

Peter Weibel, Vorstand und künstlerischer Leiter des ZKM © ZKM | Karlsruhe, 2014 Foto: Andy Ridder

Peter Weibel, manger and artistic director of  ZKM © ZKM | Karlsruhe, 2014 – Foto: Andy Ridder

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